Category Archives: Hermetica

Alchemy, Hermetica, Rosicrucian

Decoding Ancient Alchemical Symbols: The Hidden Truth of Hermetic Cross

Ornate Hermetic Cross surrounded by alchemical tools, candles, and crystals on a wooden table with mystical smoke. Alchemical symbols have fascinated scholars and mystics for centuries, serving as a secret visual language for those who sought to transform base metals into gold and discover the elixir of life. Hidden within these enigmatic markings lies a complex system of knowledge that extends far beyond mere chemical formulas. These cryptic representations once protected the sacred wisdom of transformation from uninitiated eyes, encoding spiritual and philosophical concepts that remain compelling even in our modern era.

Throughout history, specific symbols have held particular significance in alchemical tradition, specifically the Hermetic Cross, which represents the perfect union of opposing forces. Similarly, the three primary substances—Salt, Sulfur, and Mercury—symbolize the body, soul, and spirit respectively, forming the foundation of alchemical philosophy. Beyond these basics, symbols like the Rose became central to Rosicrucian traditions, representing secrecy, rebirth, and the unfolding of spiritual consciousness.

Indeed, decoding these ancient symbols reveals a sophisticated understanding of the universe that blended science, spirituality, and psychology. From the Tria Prima to the seven planetary metals, each symbol contains layers of meaning waiting to be uncovered. Whether you’re new to esoteric traditions or a seasoned student of hermetic philosophy, this exploration will illuminate the profound symbolic language that alchemists used to encode their quest for physical and spiritual transformation.

The Tria Prima: Foundations of Alchemical Symbolism

The cornerstone of alchemical philosophy rests upon the tria prima, or three primes—a revolutionary concept introduced by the 16th-century Swiss alchemist Paracelsus. According to his teachings, all material substances in existence are composed of three essential principles: Sulfur, Mercury, and Salt [1]. This trinity creates the foundation for understanding both physical matter and spiritual transformation in alchemical practice.

Sulfur 🜍 as the Soul and Volatility

The symbol for Sulfur—a triangle atop a cross (🜍)—represents the active, masculine principle in alchemy [2]. Often called “the soul,” Sulfur embodies the principle of combustibility [1], associated with fire and transformation. This element symbolizes consciousness, the volitive nature that drives change, and the expansive force that enables dissolution [3].

Sulfur holds the qualities of heat and dryness, aligning with the element of fire and solar energy [3]. In practical demonstrations, alchemists like Paracelsus would illustrate Sulfur’s nature by burning wood—the resulting flame representing this volatile principle [3]. As the soul component of existence, Sulfur connects the higher spiritual realms with material reality, functioning as a fluid bridge between elevated and mundane states [3].

Mercury ☿ as the Spirit and Fluidity

Mercury, represented by the symbol ☿, embodies the spirit or mind—the omnipresent life force that mediates between opposing states [3]. Known as “quicksilver” for its liquid form at room temperature, Mercury physically demonstrates its philosophical attribute of transcending states of matter [4]. This unique characteristic led alchemists to view Mercury as transcending fundamental dualities: life/death, heaven/earth, liquid/solid [3].

Essentially, Mercury represents the principle of fusibility and volatility [1], characterized by cold and moist qualities—opposite to Sulfur’s hot and dry nature [3]. The symbol itself combines a crescent moon (receptivity), circle (infinity), and cross (matter), visually depicting Mercury’s role as the channel for infinite spirit entering material form [2]. Furthermore, Mercury functions as the passive feminine principle that receives and shapes the active force of Sulfur [3].

Salt 🜔 as the Body and Stability

Salt, symbolized by a circle bisected by a horizontal line (🜔), represents the physical body and material foundation of existence [3]. This principle embodies non-combustibility and non-volatility [1], serving as the stable, fixed element that grounds spiritual energies. The horizontal line within Salt’s symbol represents time—beginnings and endings within the context of eternity (the circle) [2].

Salt corresponds to the contractive force, condensation, and crystallization in nature [3]. Additionally, it represents the essence of all things [5], starting as coarse and impure but capable of refinement through alchemical processes [3]. This purification mirrors the alchemical journey itself—breaking down to build anew with greater purity [3].

The three primes function together through a process alchemists called Solve Et Coagula—dissolving and coagulating—whereby materials are separated, purified, and recombined [3]. This relationship creates a multidimensional correspondence system:

  • Material aspects: flammable (Sulfur), volatile (Mercury), solid (Salt) [3]
  • Elements: fire (Sulfur), air (Mercury), earth/water (Salt) [3]
  • Human nature: soul/spirit (Sulfur), mind/spirit (Mercury), body (Salt) [3][3]

Through this triadic framework, alchemists developed a comprehensive system for understanding both physical transformations and spiritual development, establishing the foundation upon which all other alchemical symbols and processes would build.

The Four Classical Elements and Their Symbolic Geometry

Ancient alchemists adopted a visual language based on geometric forms to represent the four classical elements—Fire, Water, Air, and Earth. These fundamental elements, first canonized by Aristotle, formed the basis of alchemical understanding long before modern chemistry emerged. Their symbols, derived from the medieval magical Seal of Solomon, encode profound philosophical principles through simple triangular forms.

Fire 🜂: Upward Triangle and Transformation

The alchemical symbol for Fire (🜂) is represented by a simple upward-pointing triangle. This geometric form perfectly captures fire’s natural tendency to rise, reflecting its aspiring, transformative nature. Greek philosopher Heraclitus considered fire the most fundamental element, believing it gave rise to all others through a series of transformations he called the “turnings of fire” [6].

Fire embodies the qualities of heat and dryness according to Aristotelian philosophy. The upward triangle symbolizes not only physical flames but consequently represents powerful emotions—passion, love, anger, and hate [7]. In Plato’s cosmology, fire associates with the tetrahedron, the Platonic solid with the least volume and greatest surface area, mirroring fire’s sharp, stabbing heat [6].

In practical alchemy, fire relates to sulfur, representing the combustible principle. When Paracelsus burned wood, he demonstrated this connection—the flame represented sulfur’s work [8]. Moreover, the symbol’s masculine characteristics align with its active, transformative powers, making it a potent symbol for conversion in alchemical operations.

Water 🜄: Downward Triangle and Intuition

Water’s alchemical symbol (🜄) appears as an inverted triangle—a perfect inversion of fire’s symbol, visually representing their opposing natures [9]. This downward-pointing triangle embodies water’s natural tendency to sink and find its level. The Greek philosopher Thales believed water was the first substance created in the world [10].

Aristotle classified water as cold and wet, whereas Hippocrates connected it to the bodily humor phlegm [10]. Throughout alchemical tradition, water has been associated with intuition, emotion, and receptivity [11]. The symbol was often depicted in blue, reinforcing its connection to depths, both physical and psychological [12].

Furthermore, water corresponds to mercury in alchemical associations, both sharing feminine qualities [10]. This relationship highlights water’s flowing, adaptive nature—a substance that takes the shape of its container while maintaining its essential properties.

Air 🜁: Breath, Thought, and Expansion

Air’s symbol (🜁) features an upward-pointing triangle bisected by a horizontal line, representing breath, thought, and expansion [1]. The ancient Greeks used two distinct words for air: aer for the lower atmosphere and aether for the bright upper atmosphere [3]. Plato associated air with the octahedron, placing it between fire and water in his elemental hierarchy [3].

According to Aristotle, air possesses qualities of both heat and wetness, occupying an intermediary position between fire and water among the elemental spheres [3]. Anaximenes, among the early Greek Pre-Socratic philosophers, named air as the arche—the fundamental principle [3].

In alchemical practice, air mediates between fire’s volatile energies and water’s emotional nature, creating balance within the alchemical process [1]. Additionally, air connects to the alchemical process of “separation,” whereby truth is distinguished from illusion, promoting deeper self-awareness and personal growth [1].

Earth 🜃: Grounding and Materiality

Earth’s symbol (🜃) appears as a downward-pointing triangle crossed by a horizontal line—the inverse of air’s symbol [13]. This geometric form represents stability, solidity, and material existence. Aristotle classified earth as cold and dry, connecting it to the bodily humor black bile [10].

The alchemical symbol’s connection to green and brown colors reinforces its association with the physical world of nature and growth [12]. Earth represents grounding, physical sensations, and material reality in alchemical operations [10].

Throughout history, alchemists incorporated these four elements into laboratory designs, often arranging them in quadrants to create harmonious and balanced environments for alchemical transformations [14]. Their geometric symbolism continues to inform contemporary esoteric practices, encoding ancient wisdom about the fundamental nature of reality.

Seven Planetary Metals and Their Celestial Associations

From antiquity through the mid-eighteenth century, only seven metals were known and recognized—each “ruled” or “dominated” by one of the seven classical planets visible to the naked eye. This sevenfold correspondence between metals and celestial bodies formed a cornerstone of alchemical practice, creating a unified system that connected earthly substances to cosmic influences.

Gold ☉ and the Sun: Perfection and Heart

Gold, the most noble metal, bears the symbol of a perfect circle with a central point (☉), mirroring the sun’s radiance. As the supreme light in alchemy, gold represents physical, mental, and spiritual perfection. Just as the Sun occupies the center of the classical cosmos, gold correlates with the heart—the central organ of vitality in the human body. Alchemists viewed this incorruptible metal as the ultimate goal of the “Great Work,” symbolizing enlightenment and divine truth.

Silver ☽ and the Moon: Reflection and Mind

Silver carries the crescent moon symbol (☽), embodying clarity, purity, and reflective qualities. The metal’s lustrous appearance perfectly mirrors the moon’s ability to reflect sunlight. Throughout alchemical tradition, silver connects with the brain and mind, governing intuition and the subconscious. The term “lunatic” derives from luna (moon), reflecting ancient beliefs that the moon could influence mental states by manipulating fluids in the brain.

Iron ♂ and Mars: Strength and Gallbladder

Iron bears the symbol of Mars (♂)—a circle with an arrow emerging, representing the god’s shield and spear. This hard, durable metal naturally associated with war and conflict corresponds to the gallbladder in medical alchemy. Named after the Roman god of war, iron’s strength made it ideal for weapons, cementing its martial associations.

Copper ♀ and Venus: Harmony and Kidneys

Copper carries Venus’s symbol (♀)—a circle with a small cross beneath, representing the goddess’s mirror. Found abundantly near Cyprus (thought to be Venus’s birthplace), copper’s warm, reddish hue and malleability connected it with feminine beauty and harmony. In the body, it governs the kidneys.

Mercury ☿ and Mercury: Duality and Lungs

Quicksilver, uniquely liquid at room temperature, bears the symbol (☿) resembling the caduceus—the staff carried by Mercury, messenger of the gods. This metal transcends solid and liquid states, symbolizing duality and transformation. Mercury governs the lungs, facilitating the exchange between inner and outer worlds.

Tin ♃ and Jupiter: Wisdom and Liver

Tin’s symbol (♃) represents Jupiter, king of the Roman gods. Sometimes called the “breath of life,” tin embodies the concept that “the whole is stronger than the sum of its parts.” In the body, it corresponds to the liver—an organ of growth and regeneration reflecting Jupiter’s expansive qualities.

Lead ♄ and Saturn: Weight and Spleen

Lead, the heaviest common metal, bears Saturn’s symbol (♄)—resembling a scythe or stylized “h” with a cross. Considered the oldest metal and the prima materia (first matter), lead represents the starting point of alchemical transformation. Its correspondence with the spleen reflects Saturn’s association with restriction and melancholy.

Alchemical Compounds and Processes in Symbolic Practice

Beyond the foundational elements and planetary metals, alchemists developed complex symbolic representations for compounds and processes essential to their practice. These symbols encoded both practical laboratory procedures and spiritual transformations within a unified visual language.

Vitriol 🜖 and the Path of Inner Purification

Vitriol, represented by a circle with a horizontal line extending beyond it (🜖), was considered the most important liquid in alchemy, serving as a catalyst for all subsequent reactions [15]. This symbol entered the Unicode block as U+1F716 [16]. The alchemical motto for vitriol—Visita Interiora Terrae Rectificando Invenies Occultum Lapidem—translates to “Visit the interior of the earth and purifying you will find the hidden stone” [15]. Chemically, vitriol referred to various sulfates that functioned as powerful solvents [2].

Aqua Regia 🜆 and the Power to Dissolve Gold

Aqua regia (🜆), also called “royal water,” consists of nitric and hydrochloric acids mixed in a 1:3 molar ratio [17]. This powerful solvent earned its regal name because it could dissolve gold—something neither acid could accomplish independently [17]. First appearing in alchemical literature around 1300 CE [18], aqua regia works through a complex process: nitric acid oxidizes gold into ions while hydrochloric acid provides chloride ions that convert these gold ions into soluble chloroauric acid [17].

Calcination ♈︎ and the Fire of Transformation

Calcination, symbolized by the astrological sign for Aries (♈︎), represents the first stage in the alchemical magnum opus [2]. This fire operation literally means “reduced to bone by burning” [19]. Psychologically, calcination symbolizes the burning away of the ego through life experiences, creating space for spiritual growth [19]. Associated symbols include phoenixes, funeral pyres, and scenes from hell [19].

Sublimation ♎︎ and the Rise of Spirit

Sublimation, marked by Libra’s symbol (♎︎), involves solid material giving off vapors that condense directly into pure powder [19]. Alchemists considered this a superior form of distillation—a direct path to the Philosopher’s Stone [19]. The process symbolizes the elevation of consciousness from material to spiritual planes.

Fermentation ♑︎ and the Birth of New Matter

Fermentation, represented by Capricorn (♑︎), introduces new life into previously transformed matter [20]. Beginning with putrefaction (decomposition), this stage creates fertile ground for rebirth [20]. Symbolized by the color green, grapevines, and rebirth imagery, fermentation represents spiritual enlightenment through the death of the old self [19].

Modern Encoding and Preservation of Alchemical Symbols

Unlike the enduring philosophical concepts behind alchemical symbols, their written representations nearly vanished from practical use after the 18th century. By 1813, Berzelius had introduced modern chemical notation, effectively eliminating what remained of alchemical symbology [21]. Despite this scientific obsolescence, these ancient symbols found new life in the digital age.

Unicode Block U+1F700–U+1F77F Overview

Until recently, digital representation of alchemical symbols remained fragmented. Eventually, in 2010, Unicode version 6.0 introduced a dedicated block for alchemical symbols, spanning code points U+1F700 to U+1F77F [22]. This block contains 124 distinct symbols [22], representing substances, processes, and equipment essential to alchemical practice. The Indiana University Digital Library Program’s “Chymistry of Isaac Newton Project” played a pivotal role in developing this proposal [23].

Symbol Rendering Challenges in Digital Media

In fact, despite formal standardization, rendering these symbols remains problematic. Few fonts support more than a handful of characters in this block as of 2021 [22]. For researchers studying historical texts, this creates significant obstacles. Notably, the freely available Symbola 14.0 font offers comprehensive support [22], while others have developed specialized fonts like Newton, LudyTenger, and Alchemy Textbook [4].

Use of Alchemical Symbols in Contemporary Esotericism

Surprisingly, although scientific utility has waned, these symbols maintain relevance in scholarly literature, creative works, New Age disciplines, and the gaming industry [23]. Their visual power transcends their original context, offering modern practitioners connection to ancient wisdom traditions.

Conclusion

Ancient alchemical symbols represent far more than mere chemical formulas or laboratory instructions. Throughout this exploration of hermetic visual language, we have uncovered layers of meaning embedded within these cryptic markings. The Tria Prima—Sulfur, Mercury, and Salt—stands as the philosophical cornerstone of alchemical thought, embodying the soul, spirit, and body respectively. These principles established a framework for understanding both material transformations and spiritual development.

Additionally, the four classical elements—Fire, Water, Air, and Earth—expressed through elegant geometric triangles, provided alchemists with a comprehensive system for categorizing the natural world. Their visual representations elegantly captured essential qualities: Fire’s upward aspiration, Water’s downward flow, Air’s mediating presence, and Earth’s solid foundation.

Perhaps most fascinating was the correspondence between the seven planetary metals and celestial bodies. Gold associated with the Sun, Silver with the Moon, Iron with Mars, Copper with Venus, Mercury with Mercury, Tin with Jupiter, and Lead with Saturn. This seven-fold system connected terrestrial substances to cosmic influences, creating a unified worldview where microcosm reflected macrocosm.

Alchemical processes like Vitriol, Aqua Regia, Calcination, Sublimation, and Fermentation further enriched this symbolic language. Each operation encoded both practical laboratory procedures and metaphorical transformations of consciousness.

Though scientific advancement eventually replaced alchemical notation with modern chemical symbols, these ancient markings survived through esoteric traditions. The recent inclusion of alchemical symbols in Unicode demonstrates their enduring cultural significance despite challenges in digital rendering.

Ultimately, the Hermetic Cross and its accompanying symbolic language remind us that ancient alchemists sought more than material transmutation—they pursued a comprehensive understanding of nature, consciousness, and spiritual evolution. Their visual wisdom continues to fascinate and inspire, bridging centuries of human inquiry into the fundamental nature of reality. These enigmatic symbols still beckon modern seekers to decode their mysteries, offering glimpses into a worldview where science, spirituality, and art formed an integrated whole rather than separate domains of knowledge.

References

[1] – https://www.sanctuaryeverlasting.com/meaning-of-the-element-of-air/
[2] – https://en.wikipedia.org/wiki/Alchemical_symbol
[3] – https://en.wikipedia.org/wiki/Air_(classical_element)
[4] – https://scholarworks.iu.edu/dspace/bitstreams/94d647a1-beed-4e5d-93f4-a44a07c5caee/download
[5] – https://symbolikon.com/downloads/salt-alchemy/
[6] – https://en.wikipedia.org/wiki/Fire_(classical_element)
[7] – https://religion.fandom.com/wiki/Fire_(classical_element)
[8] – https://www.cabinet.ox.ac.uk/alchemy-four-elements-and-tria-prima
[9] – https://en.wiktionary.org/wiki/🜄
[10] – https://blog.prepscholar.com/alchemy-symbols
[11] – https://www.occult.live/index.php/Water_(element)
[12] – https://www.thoughtco.com/alchemy-symbols-and-meanings-4065063
[13] – https://www.oksymbols.com/2022/07/alchemical-symbol-copy-paste-alchemical-symbols.html
[14] – https://12thhousejewelry.com/blogs/12th-house-journal/the-fascinating-connection-between-alchemy-and-sacred-geometry?srsltid=AfmBOooJpXAgSheh4FQJXD5wAeHy605W8i_PP20bztOPesUrskPg9CJt
[15] – https://www.reddit.com/r/TrueDetective/comments/3crn34/season_2_alchemical_meaning_of_catalyst_and_the/
[16] – https://www.hotsymbol.com/symbol/alchemical-symbol-for-vitriol
[17] – https://www.chemicals.co.uk/blog/what-is-aqua-regia?srsltid=AfmBOoriRVHiGp1BaHGmW2OPX7yQ-OHoqQmujPcY0wEXU6semGdYY1jW
[18] – https://www.labyrinthdesigners.org/alchemy-ancient-chemistry/aqua-regia-and-fulminating-gold-according-to-lemery/
[19] – https://www.hogwartsishere.com/courses/ALCH-401/lesson/611/
[20] – https://alchemical.fandom.com/wiki/Fermentation
[21] – https://hsm.stackexchange.com/questions/2178/modern-usage-of-alchemical-symbols
[22] – https://en.wikipedia.org/wiki/Alchemical_Symbols_(Unicode_block)
[23] – https://webapp1.dlib.indiana.edu/newton/fonts/Alchemy Unicode Proposal—March 31 2009.pdf

Hermetica, Rosicrucian

Exploring as a Mystic and Rosicrucian

There is so much data, stuff, and made-up garbage, mixed in with some legitimate information on the internet today. The information is disorganized and not structured for the inexperienced. This is a problem for many people, especially young people or seekers looking for some answers to life. Let me tell you…the questions are many. The gurus, coaches and teachers are many. The real answers are few. Where to start?

The problem is that many people and organizations claim to have THE answers. No book, organization or guru will give you the answer, because the answers will come from within you or as the Rosicrucians would say, the Master Within.

The Kybalion is one of the most succinct synopses of the fundamental answers to everything from a Hermetic and Rosicrucian perspective. There are some very basic principles and laws that you can use to validate all the information you find elsewhere. Question everything. Know it in your heart and mind. Have faith in a few things but do not blindly believe anything.

There are many organizations to join which much to offer. Do not join for joining sake. Find people you can share and discuss with about many topics or for that matter anything. If a Master shows up RUN! If you think you have found the answer, give it a few weeks (or days) and re-evaluate.

The Rosicrucian Order, AMORC is a very solid foundation for exploring “everything” in a very non-extreme safe way. All the information AMORC provides to members is online somewhere, but it is not organized properly and the truths are mixed in with a bunch of garbage and made-up stuff. You study on you own and initiate yourself when you are ready. There is no guru or book to tell you how to be a Rosicrucian or for that matter, “THE ANSWER.” The Rosicrucian Order, AMORC will ask you to council with the Master Within and question everything including the information they provide.

There are many other organizations that I could recommend for various focus areas like Tarot, Kabbalah, Hermeticism, Ceremonial Magick, New Age, or Masonry, but I will refrain in this article because, I feel, staying on the road is more important than launching to the moon when it comes to mystical studies and exploration.

I wish I could just type a few words to give everyone the answer, but then it would not be yours. It would be mine as I understand and know it today and we should all be evolving and progressing individually on our own path for the benefit of All.

Esoteric, Hermetica, History

The Forbidden Universe, Too Much In The Sun

‘TOO MUCH IN THE SUN’
As already mentioned, it is a misconception that the heliocentric theory in itself sparked off a notorious religious fervor. Although Copernicus dedicated his book to Pope Paul III, he was not, as many assume, simply boot-licking in an attempt to head off papal disapproval. After all, Paul was quite happy with Copernicus’ theories ten years before On the Revolutions was published. In the dedication, somewhat airily, Copernicus explained his reluctance to go public by saying he wanted
to avoid harsh words from lesser scholars: he was not concerned it might stir up theological controversy, let alone accusations of heresy.


Even the notorious preface, apologetically explaining that the ideas contained therein were just theories, no more valid than any other about the workings of the heavens, was designed to placate scholars. The preface was actually written by a Lutheran theologian, Andreas Osiander, who oversaw the printing of On the Revolutions after Copernicus’ death. But because Osiander didn’t make his

authorship clear, many readers assumed the preface expressed Copernicus’ own position. Georg Rheticus, the mathematician who persuaded Copernicus to go public with his theory, later threatened
to beat Osiander up for his audacity.

The heliocentric theory raised no major theological difficulties anyway. True, there are a handful of implications in the Old Testament concerning the immobility of the world. The First Book of Chronicles, for example, states that, ‘The world is firmly established; it cannot be moved’,38 and
Joshua is said to have convinced God to stop the sun in the sky, which implies that it was the sun, not the Earth, which moves.39 But in the end few churchmen thought Copernicus’ theory was worthy of oiling the rack and heating the pincers.


Ironically, any religious objections came not from the Vatican but from Protestants, although even the most hellfire-and-damnation regarded the theory as mere folly as opposed to blasphemy. Martin Luther himself ridiculed it, but mainly because he was aghast at the suggestion that astronomy could have got it so fundamentally wrong for so long.
This was also largely the position of scholars, who too were disturbed for another reason, which is less obvious today. Proposing that traditional astronomy was profoundly flawed seemed intimidating, since it implied that human understanding of the order of the universe, and the way one part influenced another, was seriously lacking. If Copernicus was right, then everything changed.


This was not yet the era of science as we know it in the modern sense. Even learned men such as Copernicus and Johannes Kepler believed that a greater understanding of the movements of the heavenly bodies would improve the accuracy not only of astronomy but also its esoteric twin, astrology. No astronomer at that time believed the workings of the universe were due to impersonal physical forces. To them, God had decreed that the universe should operate in the way it did. As such, discovering how it worked offered an insight into the divine mind, and might also throw light on God’s plan for all creation. This mindset drove the likes of Kepler who, building on Copernicus’ work, established the laws of planetary motion.


Kepler (1571–1630) was another great name of the scientific revolution who was steeped in the Renaissance occult tradition. He believed that the planets, including the Earth, are living entities with their own world souls and that the seat of the anima mundi is in the sun. As an astrologer he wrote that a new star that appeared in 1604 portended major changes on Earth.


Unsurprisingly, his writings also reveal a detailed knowledge of the Corpus Hermeticum.

SOURCE: The Forbidden Universe, The Occult Origins of Science and the Search for the Mind of God by Lynn Picknett, Clive Prince)

Hermetica

The Kybalion Summary

Seven Principles of the Kybalion

  • Mentalism: All is Mind
    • We are of One Whole and All is possible
  • Correspondence: As Above So Below
    • There is correspondence between the laws of phenomena of the various “planes” of being and life.
    • There is harmony, agreement and correspondence between the Physical, Mental and Spiritual Planes.
  • Vibration: Everything is Vibrating
    • Motion is manifest in everything in the Universe, that nothing rests, and everything moves, vibrates, and circles.
    • You can change vibration through Intent, Will and Focus.
  • Polarity: Everything is Dual, Everything has Two Extremes, and Everything has an Opposite.
    • All manifested things have two sides, two aspects, or two poles.
    • Everything “is” and “isn’t” at the same time, all truths are but half truths and every truth is half false, there are two sides to everything, opposites are identical in nature, yet different in degree, extremes meet, and all paradoxes may be reconciled.
  • Rhythm: Everything has Rhythm
    • Everything there is manifested a measured motion, a to and fro, a flow and inflow, a swing backward and forward, a pendulum-like movement.
    • There is rhythm between every pair of opposites, or poles, and is closely related to the Principle of Polarity.
  • Cause and Effect: Nothing is by Chance and Everything is subject to the Law of Compensation
    • There is a cause for every effect, and an effect for every cause.
    • There is no such thing as chance, that chance is merely a term indicating that the causes not recognized or perceived possibly because of the complexity of the contributing variables.
  • Gender: Positive-Negative, Masculine-Feminine
    • Gender aspect is necessary for generating, creating or manifestation and manifests itself on all planes.
    • Mastering or balancing of gender polarities within manifests as creative energies, balance and harmony.

HERMETIC AXIOMS

“The possession of Knowledge, unless accompanied by a manifestation and expression in Action, is like the hoarding of precious metals–a vain and foolish thing. Knowledge, like Wealth, is intended for Use. The Law of Use is Universal, and he who violates it suffers by reason of his conflict with natural forces.“ –The Kybalion

“To change your mood or mental state–change your vibration.” –The Kybalion

“To destroy an undesirable rate of mental vibration, put into operation the Principle of Polarity and concentrate upon tile opposite pole to that which you desire to suppress. Kill out the undesirable by changing its polarity.” –The Kybalion

“Mind (as well as metals and elements) may be transmuted from state to state; degree to degree; condition to condition; pole to pole; vibration to vibration.”–The Kybalion“Rhythm may be neutralized by an application of the Art of Polarization.” –The Kybalion

“Nothing escapes the Principle of Cause and Effect, but there are many Planes of Causation, and one may use the laws of the higher to overcome the laws of the lower.“ –The Kybalion

“The wise ones serve on the higher, but rule on the lower. They obey the laws coming from above them, but en their own plane, and those below them, they rule and give orders. And, yet, in so doing, they form a part of the Principle, instead of opposing it. The wise man falls in with the Law, and by understanding its movements he operates it instead of being its blind slave. Just as does the skilled swimmer turn this way and that way, going and coming as he will, instead of being as the log which is carried here and there–so is the wise man as compared to the ordinary man–and yet both swimmer and log; wise man and fool, are subject to Law. He who understands this is well on the road to Mastery.“ –The Kybalion

“True Hermetic Transmutation is a Mental Art.” –The Kybalion

“THE ALL is MIND; The Universe is Mental.” –The Kybalion.

THE KYBALION

“THE LIPS OF WISDOM ARE CLOSED, EXCEPT TO THE EARS OF UNDERSTANDING”

HERMES TRISMEGISTUS KNOWN BY THE ANCIENT EGYPTIANS AS “THE GREAT GREAT” AND “MASTER OF MASTERS”

There is no portion of the occult teachings possessed by the world which have been so closely guarded as the fragments of the Hermetic Teachings which have come down to us over the tens of centuries which have elapsed since the lifetime of its great founder, Hermes Trismegistus, the “scribe of the gods,” who dwelt in old Egypt in the days when the present race of men was in its infancy.

THE HERMETIC PHILOSOPHY.

“The lips of wisdom are closed, except to the ears of Understanding.” –The Kybalion

“Where fall the footsteps of the Master, the ears of those ready for his Teaching open wide.” –The Kybalion

“When the ears of the student are ready to hear, then cometh the lips to fill them with Wisdom.” –The Kybalion

THE SEVEN HERMETIC PRINCIPLES.

“The Principles of Truth are Seven; he who knows these, understandingly, possesses the Magic Key before whose touch all the Doors of the Temple fly open.” –The Kybalion

“THE ALL is MIND; The Universe is Mental.” –The Kybalion

“As above, so below; as below, so above.” –The Kybalion

“Nothing rests; everything moves; everything vibrates.” –The Kybalion

“Everything is Dual; everything has poles; everything has its pair of opposites; like and unlike are the same; opposites are identical in nature, but different in degree; extremes meet; all truths are but half‐truths; all paradoxes may be reconciled.” –The Kybalion

“Everything flows, out and in; everything has its tides; all things rise and fall; the pendulum‐swing manifests in everything; the measure of the swing to the right is the measure of the swing to the left; rhythm compensates.” –The Kybalion

“Every Cause has its Effect; every Effect has its Cause; everything happens according to Law; Chance is but a name for Law not recognized; there are many planes of causation, but nothing escapes the Law.” –The Kybalion

“Gender is in everything; everything has its Masculine and Feminine Principles; Gender manifests on all planes.” –The Kybalion

MENTAL TRANSMUTATION.

“Mind (as well as metals and elements) may be transmuted, from state to state; degree to degree; condition to condition; pole to pole; vibration to vibration. True Hermetic Transmutation is a Mental Art.” –The Kybalion

“The Universe is Mental” –The Kybalion

THE ALL.

“Under, and back of, the Universe of Time, Space and Change, is ever to be found The Substantial Reality–the Fundamental Truth.” –The Kybalion

“THAT which is the Fundamental Truth–the Substantial Reality–is beyond true naming, but the Wise Men call it THE ALL. “ –The Kybalion

“In its Essence, THE ALL is UNKNOWABLE.”–The Kybalion

“But, the report of Reason must be hospitably received, and treated with respect.” –The Kybalion

THE MENTAL UNIVERSE.

“The Universe is Mental–held in the Mind of THE ALL.” –The Kybalion

“THE ALL creates in its Infinite Mind countless Universes, which exist for aeons of Time–and yet, to THE ALL, the creation, development, decline and death of a million Universes is as the time of the twinkling of an eye.” –The Kybalion

“The Infinite Mind ‐of THE ALL is the womb of Universes.” –The Kybalion

“Within the Father‐Mother Mind, mortal children are at home.” –The Kybalion

“There is not one who is Fatherless, nor Motherless in the Universe” –The Kybalion

THE DIVINE PARADOX.

“The half‐wise, recognizing the comparative unreality of the Universe, imagine that they may defy its Laws–such are vain and presumptuous fools, and they are broken against the rocks and torn asunder by the elements by reason of their folly. The truly wise, knowing the nature of the Universe, use Law against laws; the higher against the lower; and by the Art of Alchemy transmute that which is undesirable into that which is worthy, and thus triumph. Mastery consists not in abnormal dreams, visions and fantastic imaginings or living, but in using the higher forces against the lower–escaping the pains of the lower planes by vibrating on the higher. Transmutation, not presumptuous denial, is the weapon of the Master.” –The Kybalion

“THE ALL” IN ALL.

“While All is in THE ALL, it is equally true that THE ALL is in All. To him who truly understands this truth hath come great knowledge.” –The Kybalion

THE PLANES OF CORRESPONDENCE.

“As above, so below; as below, so above” –The Kybalion

VIBRATION.

“Nothing rests; everything moves; everything vibrates.” –The Kybalion

POLARITY.

“Everything is dual; everything has poles; everything has its pair of opposites; like and unlike are the same; opposites are identical in nature, but different in degree; extremes meet; all truths are but half‐truths; all paradoxes may be reconciled.“ –The Kybalion

RHYTHM.

“Everything flows out and in; everything has its tides; all things rise and fall; the pendulum‐swing manifests in everything; the measure of the swing to the right, is the measure of the swing to the left; rhythm compensates.” –The Kybalion

CAUSATION.

“Every Cause has its Effect; every Effect has its cause; everything happens according to Law; Chance is but a name for Law not recognized; there are many planes of causation, but nothing escapes the Law.” –The Kybalion

GENDER.

“Gender is in everything; everything has its Masculine and Feminine Principles; Gender manifests on planes.” –The Kybalion